Tag: art direction

  • Smithsonian Cooper Hewitt Museum – Bob Greenberg Selects

    Smithsonian Cooper Hewitt Museum – Bob Greenberg Selects

    Mission: Expand and enhance two videos in the Bob Greenberg Selects Exhibition at the Smithsonian Cooper Hewitt Museum (Feb 23 – Sept 9, 2018). One video illustrated his ten principles of design and the other shows ways the objects in the exhibit are connected by design. The creative team wanted to include more objects and find ways to bring them to life and inform viewers how they function.

    Solution: The Ten Principles video was a single set of ten objects, one for each principle. We expanded the video to have three sets of ten principles. This allowed us to pair even more of the exhibit objects to the principles they support.

    For the connections video, there were several moments that the objects needed to be shown in action to really tell a story about how they connect. We identified 14 or 15 stills that we could re-shoot as live-action or stop-motion to better show the function of each object. I then mapped out how each object needed to be shot, cast the talent and supervised the shoot from pre-production through post-production.

    The video monitors are 4k television sets, mounted like portraits. Working closely with the Director of Photography, we dialed in the best possible lighting and framing, with crystal clear focus, knowing that the videos would be shown larger than life in the museum. We had to shoot all of the objects in two days or less, so we ran two sets in tandem and alternated resetting and shooting between the two sets. I also negotiated a temporary lift on the drone ban in the RGA NY office so that we could shoot the drone in live action.

    I set up and managed a video testing environment in the prototype studio at RGA so that we could fine tune television calibration to the exact settings we would use in the exhibit. Interfacing with the app developers and museum curators, I prepped the final LISNR media and video files for the museum exhibit. The app they created plays the audio for our video right from your cell phone.

    Video Credits:
    Guest Curator, Exhibition Host: Bob Greenberg
    Museum: Smithsonian Cooper Hewitt
    SVP, Head of Global Integration: Jay Zasa
    Executive Director of Production: Cindy Pound
    Executive Producer: Patrick McCabe
    RGA Curator: Laura Wiley-Donohue
    Creative Director: Cesar Marchetti, Associate Creative Director: Eli Mavros
    Art Directors: Jan Tompkins-Jackson, Andre Vandenberg
    Director of Photography: Paulo Netto
    Stage Production Coordinator: Elissa Steinhofer
    Animation/Compositing: Jan Tompkins-Jackson, Andre Vandenberg, Chris Vranos, Carlos Foxworthy
    Editor: Jan Tompkins-Jackson
    Colorist: Jan Tompkins-Jackson
    Sr. Technology Director: Michael Piccuirro
    Sr. Quality Assurance Engineer: Karen Molye
    Producer: Irka Seng
    Drone Camera Pilot: Aldo Padilla, Bayyina Black
    Production assistants: TJ Brogle, Sanjana Sekhar
    Models: Sanjana Sekhar, TJ Brogle, Bayyina Black, Jan Tompkins-Jackson
    Audio Engineer: Pete Karam

    Visit the museum: https://www.cooperhewitt.org/2018/01/29/r-gas-bob-greenberg-guest-curates-selects-exhibition/

  • LITM.tv

    In October of 2010, Jan Tompkins and Jelynne Jardiniano launched the first video art space in Jersey City, at a restaurant-bar-art-gallery called LITM, which stands for love is the message. Jan designed a 3-screen HD video array, which provides a place for films, videos and animation to be exhibited in downtown Jersey City, NJ. Treating it like a closed-circuit television channel, they decided to plan the first two months of programming by inviting both local and national artists to present their work. She also programmed and edited two 1-hour shows that ran short-format video and animation from both local and national artists and filmmakers. To bring it all together in a clean and sophisticated way, Jan created video packaging and branding for both monthly shows.

    Each show ran for 1-month during business hours and was paid for by local businesses that purchased ad-space in between programming. LITM continues to screen a variety of media and host film festivals and other special screening events.